This is the home of Joe Clifford Faust, who:
  1. Is an elder in the Church of Christ,
  2. makes his living as an advertising copywriter,
  3. is the author of seven science fiction novels,
  4. is occasionally known as Mister Faust, an alleged singer-songwriter,
  5. is the writer and "artist" of The Home World, a hiatused web comic,
  6. is the guy who used to blog a lot about writing (it's all gone now, sorry),
  7. is an infrequent haunter of community theater stages,
  8. and is someone who went to high school in Wyoming, college in Oklahoma, and now lives in Ohio.
If the person you're looking for doesn't meet these criteria, then this isn't the him you're looking for.



Saturday, October 31, 2009

Why I Don't Do NaNoWriMo  


Well, tomorrow it begins. All over the nation, nay, the world, word processors will fire up as literary aspirants everywhere prepare to do battle with themselves during NaNoWriMo - National Novel Writing Month - the solitaire sporting event in which folks try to complete a 50,000 word novel during the 30 days of November.

And every year before NaNoWriMo begins, someone drops me a line and says I ought to give it a try, usually implying that I would kick butt and take names at something like this. While I appreciate the confidence in my abilities, I've never had the urge to participate in the month-long write-a-thon. Maybe because I've done so many of my own - I tend to write the ends of my novels in one marathon burst, the record being 80 manuscript pages in one day at the end of The Company Man.

How's about would I recommend it to someone wanting to write a novel of their own? My stance there is a little different. If you're already thinking about it, if your mind is already made up, go for it. It has a lot of value as a motivator because it wields some really big weapons: a deadline, a community of people involved in the same trial, accountability (if you have a blog and put their progress widget on your blog), peer pressure (if you tell your friends what you're doing - which technically you could do without NaNoWriMo). There is something to be said for doing what you can to cross the finish line.

On the other hand, I do have some concerns with what the program does in terms of writer's habits. Those are just as important - a writer needs great work habits to sustain their careers if they're serious about it. The publishing world doesn't need a bunch of novelists who can only work 30 days a year. They're looking for people who produce with regularity.

And that's the thing. NaNoWriMo is largely a motivator that doesn't, in my view, deal with a lot of the other aspects of writing that are important if you're looking for a career beyond November. By focusing on getting the words on the page, it slights the actual work that goes into writing a book.

Here are some other reasons why I don't participate, some practical, some not:

  1. It's for Young Turks, not me. I've considered myself a writer for 29 years now, so I'm old and set in my literary ways (although my methods of writing do continue to evolve). This fancy stuff is for the new kids. NaNoWriMo is the loud, fast, and angry version of novel writing. It's kind of like the year is 1977. I'm Yes or Emerson, Lake and Palmer and the new kids doing NaNoWriMo are the Sex Pistols and The Clash.

  2. It's a Cheat. Really. You're not writing a novel in 30 days. You're doing the work of putting the story on paper in 30 days. By tomorrow you're supposed to have done the work of outlining the book and working out the character arcs, all of that (unless you're going to Jack Kerouac it and start writing without an idea). And then there's all the work required on the back end - something called revisions. NaNoWriMo focuses on the romantic part of writing a book - the author alone in a room, struggling with a blank page.

  3. It's Not the Way I Work. When I write a book, I usually know the opening scene and the ending of the book. I start with little else other than a sense of what the story is about, and I let the characters talk to me, developing the outline as I go. I take a more leisurely writing pace, about 1000 words a day as things develop. As a result, there's an average of 100 "writing days" in one of my books, with many "non-writing days" in between spent making notes (hint: all of those are actually writing days).

  4. The Prep Required Would Make Me Not Want to Write the Novel. For me, part of the fun and magic of writing a novel is watching the plot fall together with all of the attendant unexpectedness that writers typically talk about. It's about the creative journey. If I have to outline completely first, the mystery is gone because I know how the story unfolds. And I've never finished any story that I've completely outlined first.

  5. Their Format Does Not Fit the Kind of Novels I Write. Officially, the novel starts at 40,000 words. The typical novel sold on the shelves today, the kind most editors look for, is 100,000 words. NaNoWriMo runs 50,000. It's a healthy length - probably the length of Shane or Hitchhiker's Guide to the Galaxy, or some of those early Nicholas Sparks books. You can hit that length writing about 8 pages a day (depending on your font and type size). That's close enough to my current writing pace that I could probably stretch it. But to get to the length of the typical Joe Clifford Faust novel, I'd have to write 16 pages a day. Um, don't think so.

  6. I Already Know I Can Write a Novel. NaNoWriMO strikes me as a writer's journey (well, in this case more of a forced march) for the novice to discover if "I have it in me" to write a novel. I already know I have it in me. I just started what will be my 13th (written) novel. (Yeah, that means that there are some that never made it to publication.)

  7. NaNoWriMo May Shoehorn You Into Things You Don't Want To Do Later. I feel that part of the journey in writing a first novel is the all-important one of Discovering How You Work. You can read all the advice books by writers you want and try out their Guaranteed Methods of writing, but the only right method of writing a novel is the one that works for you. How are you going to stretch out and discover that if you're grinding your fingers into bloody stubs during a 30 day marathon? I feel that NaNoWriMo shoehorns writers into the same kind of writer's journey. It also shoehorns them into one way of writing - loud and fast.

  8. It's a Brutal Schedule That Could Discourage As Much As It Helps. Like I said, I'm a marathon runner, not a sprinter. I know lots of people that NaNoWriMo has left in the dust. Some learned from their failure, some didn't.

  9. If You Really Want To Be A Writer It Doesn't Matter. If you're determined to be a novelist, NaNoWriMo might give you a jump start - but in the long run you'll find that it's one of those tools that you use once or twice and end up leaving behind, because you will have discovered yourself as a writer.

Want to find out if you can write a book in 30 days? Be my guest! If I were young and unpublished and hadn't written a novel yet, I would be all over this. But keep in mind that there's a reason why most authors only do one book a year.

However, if you think you have a novel in you, you have the other 11 months of the year to work on it, too. If crossing the finish line is your goal, go for it. But if you have something in mind that's more long term, you might want to stretch out, experiment, and find a more comfortable way of writing.

So that's my NSHO. If you want to do it, don't let me stop you. But it would be good of you not to ask me to read the results. After all, I'm busy slowpoking through one of my own projects. Besides, you might want to consider a revision first... more of that unglamorous part of writing...


Wednesday, October 7, 2009

The Excruciating Process of Not Editing  


No passion in the world is equal to the passion to alter someone else's draft.
- H.G. Wells


And that goes double when it's your copy and you can't change it.

As some of you may have kenned, I am in the process of converting my old novels, beginning with A Death of Honor, into ebook format for the Kindle and other similar devices. To that end, I have cut apart an old copy of the book purchased for that specific purpose and run the pages through a scanner, converting them into HTML, which is the basis of code for some of the major e-readers.

What has happened is that the OCR software made its best guess as to what to do, and I'm going through and cleaning up the results. I'm doing a lot with search and replace, but the end result has been that I'm going through the book at such a rate that I'm almost reading it again.

Not to mention that, when I do get everything in order, I've got to proof it on my Kindle.

It's an excruciating process. Here's why:

Benjamin Disreli said, "When I want to read a good book, I write one." Well, that's not me. I don't have Disraeli's ego, and I certainly don't have a tolerance for my own writing. Once upon a time, my editor sent me two of the first hot-off-the-press copies of Honor. I gave one to my wife and I took one, and we both sat down to read it. And it was fine.

Then, a novel and a half later, I decided to read it again. And to borrow a line from Roger Ebert, I hated, hated, hated, hated, hated it. I wrote this off to the fact that I was now 1 1/2 novels more experienced as a writer and could see the many mistakes I made in the first. So when The Company Man came out, I picked up my so-fresh-you-could-still-smell-the-sweetness-of-the-ink copy -- and being another two novels down the road, I couldn't even get through the first section.

That has happened now with every one of my novels. It's like there's an internal switch in my brain. I can deal with the book an infinite number of times in the production process, but once the published copy comes out, I am filled with the urge to do something to it that involves a ziplock bag, a .45 semiauto, and a shovel.1

But that's a good thing, I guess, because it doesn't let me dwell on the past for one, and it tells me I'm getting better as a writer. When I open those old books up, I see mistakes on every page I wish I could go back and fix. But I can't. But I can strive to not do them in the next one.

Which is what makes the task of getting Honor and my other novels Kindleized so excruciatingly painful. As I scroll down the screen looking for stray bits of code, my brain is desperately crying out to grab the red pen:2 "Oops, there's another show not tell. Move on, you're not allowed to fix that. Good heavens that's clunky. Suppose anyone will notice if I fix one thing, just this once? Whoa, there's another one just like it. Two fixes? Three? Oh, and there's another show not tell..."

I can't imagine what it's going to be like trying to read this beast on my Kindle. And then doing it five more times (no, you didn't miscount - Ferman's Devils and Boddekker's Demons will be released in a "restored" single volume edition).

At one time, many foolish years ago, I thought it would be interesting to do a scratch rewrite of A Death of Honor, to be published on the 25th anniversary of the original's release. My plan was to read the book to regain a sense of the plot, then toss it aside and write the book completely over again, replotting and rewiring as I went, with no further reference back to the original material.

Guess what? The 25th anniversary of Honor is in 2012. Before I start wishing that that whole Mayan calendar thing were true just so I could avoid reading it yet again, I can tell you unhesitatingly that I'm not going to do it. The whole conceit centered on my being a Famous Bestselling Author by then, and even if I was, my wife probably wouldn't stand for it, claiming that it was one of those self-indulgent things that writers do when they start feeling too pleased with themselves. Besides, I'm behind schedule on other great stories I want to tell you.

Meantime, I have to redouble my efforts to go to heaven because right now I'm getting a close-up glimpse of what my own personal hell would be.3 I also need to be a good boy when it comes to writing, so I can bring you more stories without the ghastly mistakes I made in those earlier books. And I can guarantee you that ...and that's the end of the news is going to be a real corker. At least, until I get the first printing of it in my hands.

---
  1. The funny thing is, I am still perfectly capable of talking to people about the books for the purposes of getting them to make a purchase.

  2. I know, I know, editing is traditionally done with a blue pencil. I use a red pen. Sue me.

  3. It also involves Yanni CD's, but that's a story for another day.


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